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Emily Carr
Indian Raven
mk68
Oil on canvas
Vancouver,
Vancouver Art Gallery
1912
Canada
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Emily Carr
Skidegate
mk152
1912
Oil on card
63.4x30.0cm
Vancouver Art Gallery
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Emily Carr
Totem Poles,Kitsukla
mk152
1912
Oil on canvas
126.8x98.4cm
Vancouver Art Gallery,Founders Fund
37.2
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Emily Carr
Totem By the Ghost Rock
mk152
1912
Oil on canvas
91.2x114.7cm
Vancouver Art Gallery,
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Emily Carr
Indian Raven
mk152
1912
Oil on canvas
79.8x40.6cm
Vancouver Art Gallery
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Emily Carr
Old Indian House,Northern British Columbia
mk152
1912
Oil on paperboard
97x66cm
Vancouver Art Gallery
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Emily Carr
Kwakiutl House
mk152
1912
Oil on board
59.4x90.7cm
Vancouver Art Gallery
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Emily Carr
Three Totems
mk152
c.1928-1929
Oil on canvas
109.0x69.4cm
Vancouver Art Gallery
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Emily Carr
Totem Mother Kitwancool
mk152
1928
Oil on canvas
109.7x69.7cm
Vancouver Art Gallery
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Emily Carr
Old Time Coast Village
mk152
1929-30
Oil on canvas
91.3x128.7cm
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Emily Carr
Vanquished
mk152
1930
Oil on canvas
92x129cm
Vancouver Art Gallery
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Emily Carr
Tree Taunk
mk152
1929-30
Oil on canvas
129.1x56.3cm
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Emily Carr
Big Raven
mk152
1931
Oil on canvas
87.3x114.4cm
Vancouver Art Gallery
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Emily Carr
Zunoqua of the Cat Village
mk152
1931
Oil on canvas
112.5x70.5cm
Vancouver Art Gallery
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Emily Carr
Totem and Forest
mk152
1931
Oil on canvas
129.3x56.2cm
Vancouver Art Gallery
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Emily Carr
A Young tree
mk152
1931
Oil on canvas
112x68.5cm
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Emily Carr
The Little Pine
mk152
1931
Oil on canvas
Vancouver Art Gallery
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Emily Carr
Sea Drift at the edge of the forest
mk152
c.1931
Oil on canvas
68.9x117.8cm
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Emily Carr
Forest,British Columbia
mk152
1931-32
Oil on canvas
130x86.8cm
Vancouver Art Gallery
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Emily Carr
Untitled
mk152
c.1931-32
Oil on paper
45.6x30.0cm
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| Emily Carr
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Canadian Expressionist Painter, 1871-1945
Canadian painter and writer. She studied art from 1891 to 1894 at the California School of Design in San Francisco. She lived in England from 1899 to 1904, studying at the Westminster School of Art in 1899, and settled in Vancouver on her return. Her stay in Paris in 1910-11, during which she had a painting shown at the Salon d'Automne in 1911, proved far more influential on her art, familiarizing her with Impressionism, with Post-Impressionism and with Fauvism.
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